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Showing posts with label Indian Moghul Jewelry. Show all posts
Showing posts with label Indian Moghul Jewelry. Show all posts

Modernist Maharajas


This book is definitely on my recommended reading list. 
It was a fun read and an excellent resource for images and information for my presentation on 'Jewels of the Maharajas: The Splendor of the Indian Royal Courts'. My talk focused on how Moghul jewelry styles influenced European jewelry design, specifically that of the Art Deco Period.

But what was particularly interesting in the book was the cross cultural exchange that occured between the wealthy Maharajas and the Europeans in terms of design. A select group of  sophisticated Maharajas came to appreciate the Art Deco aesthetic and used it in their custom made clothes, yachts, cars, and palaces.

The Umaid Bhawan Palace, built in 1929 for the Maharaja  Umaid Singh of Jodhpur and the Manik Bagh Palace, built in 1932 for the Maharaja Yeshwant Rao Holkar, are two superlative examples of Art Deco architecture and interior design in India. 
Art Deco Pool at the Umaid Bhawan Palace

Art Deco Streamline Modern Bath at the Umaid Bhawan Palace

The First Modernist Maharaja
Maharaja Yeshwant Rao Holkar II by Bernard de Monvel 1929

Manik Bagh, the Modernist Palace of Holkar built 1930 -1932
Holkar's miminalist structure was filled with amazing furniture and fixtures by European designers Louis Sognot, Charlotte Alix, George Djo-Bourgois or France and the great Eckart Muthesius of Berlin.

Holkar's office at Manik Bagh

I like the fact that these uber wealthy Maharajas brought Modernist design to India through their commissioned Palaces.  Today this tradition continues with the world's largest house in Mumbai, built by the Mukesh Ambani, an industrial Moghul worth an estimated $27 Billion.
I wonder, if Holkar were alive today, would he have built something like this 27 story house, with a theater, ballroom, garden, swimming pool, salon, health club, three helipads and an air traffic control station on the roof, requiring 600 in staff?

Off My High Horse

It's Friday, the sky is blue and the sun is shining and I'm off my high horse.
Hopefully, this weekend I will have time to check in on everyone's blogs and see what I've missed during my hiatus.
Inspired by the posts about India at Amid Privilege, I've delved into a stack of books about Moghul jewelry. It's a big subject but a beautiful one because bright color and rich ornamentation was so important in the Moghul culture. 
Amazing isn't it?
Hopefully the weather will stay nice and I can continue my reading poolside this weekend.

On the opposite end of the artistic spectrum we've got the exhibition of paintings by Salvatore Rosa at the Kimbell Art Museum in Forth Worth.

A contemporary of Lorraine and Poussin, Rosa created works in the mid 17th Century that melded elements of Classicism with Romanticism.
From the WSJ review
Whatever he was like in real life (apparently he was a combative, rebellious prototype of the bohemian artist), Rosa is not a painter you fall in love with. The first things you notice are what he does not have. There is little playfulness or joie de vivre. He was a contemporary, and knew the work, of Claude Lorrain and Nicolas Poussin, but he lacks the gentle softness of the former and the impeccable coloring of the latter, although his mythological scenes often replicate Poussin's neoclassical geometry. His unsettling landscapes move beyond Claude's pastoral harmonies, replacing them with dangerous, wind-swept, "sublime" ravines and crags, gloom and doom.

The Kimbell's silvery light allows us to see the somberness up close. The pictures here are, by and large, dark: They have little bright color. Some come close to Goya's horrifying late black paintings. Shades of brown and other earth tones predominate even in the landscapes. The sun seldom shines. Rosa brings the underworld up to the surface. He is both classical and (pre-) Romantic.

Unfortunately, there won't be time to see the Rosa exhibit on my trip to Texas next month.
I wonder, why isn't this exhibit coming to the Getty, LACMA or the Norton Simon Museum?
That is just wrong.

Sent goods off yesterday for a Mert and Marcus cover shoot with Gisele for Vogue Turkey.  I'm keeping my fingers crossed that that the bad weather conditions in Louisville and New York didn't keep the goods from getting to the shoot...because you never know with snow.
We shall see.

Happy Friday everyone!